Rise and fall Nemos

The society is guilty!

Now, we can't expect the woke Newspaper "Tages-Anzeiger" to suddenly discover the destructive power of LGBT lifestyles. And so journalist Hebeisen quickly moves on to making Nemo a tragic hero who, at best, saves the lives of non-binary people. Since his victory in Malmö, Nemo has experienced hatred on a frightening scale. Now he is processing his suffering in a song that is a musical event.

The writer of the "Tages-Anzeiger" ultimately blames a society that forces people to define their gender. In addition, Nemo's song also reminds us “how thorough our society sometimes is in turning a winner into a broken being.”

These patterns of explanation and accusation by left-wing theorists are well known. The blame lies with a society that does not recognize the validity and value of the lifestyles of people who are work-shy or queer-exalted.

And the curse of the black witch?

The fact that Nemo was in close contact with Bambie Thug at the 2024 ESC is known throughout the world. The Irish singer, who describes herself as a queer witch, came sixth in Malmö. She accompanied her performance with a pentagram. She was accompanied on stage by a horned demon.

As soon as Nemo's victory was confirmed, Bambie Thug pushed her way to the front and crowned the winner with a black crown of thorns. The images also went around the world. When Nemo performed his winning song again at the end, he was still holding the black crown firmly in his hand. He hadn't been able to get rid of it when they were doing his make-up backstage for his final act.

Just a show?

Of course, Bambie Thug is convinced of her black magic. She firmly believes in unleashing powers that influence other people.

For Nemo and the majority of TV viewers, the performance of the Irish “witch” may be a gimmick. Creepy theater. An occult freak show without substance. They cannot and do not want to imagine that Bambie Thug has gained power over Nemo. They would never describe the broken Nemo at the 2025 ESC as the victim of a curse. They would never put the gloom of Nemo's performance in Basel in context with the black-and-blue darkness that Bambie Thug exuded in Malmö.

Okay—materialistic thinking also has its place. Those who exclude the supernatural from their worldview could at least consider psychological criteria. Did the queer Irishwoman dominate the light-footed, colorful, unstable ESC winner with a domination that festered and fermented in Nemo's soul for months before it came to the surface, dark and broken, on May 17, 2025?

Where is Nemo headed?

Only time will tell whether Nemo is caught in a downward spiral. Daniel Küblböck was another contest singer who was hyped up because of his fluid sexual identity. At that time, it was not a witch who exploited the singer, but rather the pioneers and supporters of gender theory. They pushed DSDS “star” Küblböck, who then rode the zeitgeist carousel until he suffered a mental breakdown and sought escape in suicide.

 

DJ Bobo fared much better, having already flirted with the occult at the 2007 Eurovision Song Contest. His performance as a vampire was a spectacular failure, which can safely be described as the end of his career.
We can only hope that Nemo does not end up like Küblböck or DJ Bobo as a singer. Instead, he should take his cue from Bob Dylan, who, after a personal change of direction in his artistic career, wrote and sang: “But you're going to have to serve somebody, yes indeed - You're going to have to serve somebody - Well, it may be the devil or it may be the Lord - But you're going to have to serve somebody.” (Slow Train Coming, 1979) Dylan obviously made the right decision. He is still alive and singing.